rain in my heart update mark
Death is a very personal thing and is something that could be seen to be to real for TV viewing. Seeing the filmmakers process on screen is great when theyre doing something that you need to see. It shows the situation without making of adjustments. Penny recalls being so scared. But while Watson explains he also interacts with the subject instead of just observing. Outside, the sparrows on the roof Are chirping in the dripping rain.Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. Watson himself has said that he received criticism for not helping his subjects; this could be an argument of him exploiting his subjects. This is the only area where I can see possible wrongdoing on Watsons behalf. Also, I think he had a desire to understand his characters and the reasons of being whothey are. Secondly, Watson must have gone through a pre-planning stage where he would have had to choose the subjects he wished to include, therefore it couldnt have been as completely objective/unbiased as it seemed. So I didnt think that he has exploited his subject at all as this is what we as viewers needed to see. He faced their situations with the most possible respect. Mutual-help groups are popular such as, Alcoholics Anonymous becaus, Alcoholics Anonymous In Nj Recoverycnt com, Weltpremiere des neuen Touareg live aus Peking. Property surveys are public records and you can request a copy of any existing surveys from your county or local municipality. It is clear to me throughout, both when talking to his subjects and when talking to the camera itself that he becomes both emotionally involved and also continuously checks that he is keeping to his promises. And I think shots show the photographer and the really things that Watson suffered rise the trustiness of this documentary. Also, later on the film when he asks of the liability of the life experiences she has told him, I felt it was very unnecessary to show her breaking down. This powerful documentary from fly-on-the-wall pioneer Paul Watson provides a raw account of four alcohol abusers from the impoverished Medway towns of north Kent. I personally believe that the word exploit is quite a harsh word to put on the filmmaker without full justification, its made clear that the subjects wanted to be filmed, Watson treats this permission with a good amount of respect both for the subjects and the topic of the documentary whilst at the same time sustaining his role as the stand back and sympathetic-ear presence. However, it doesnt necessaily mean it is totally a bad thing. Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account. Otherwise it would not have been so real and touching and would not have had such an effect on those who watch it. I think to use the word exploitative to describe the techniques used by Watson to film Rain in my Heart upon his subjects is an unfair judgment. Director Paul Watson See production, box office & company info Add to Watchlist 5 User reviews Won 1 BAFTA Award 2 wins & 1 nomination total Photos Add photo More like this 6.7 The film probably brought him a lot of attention (both positive and negative), which means hes profited from filming his subjects problems. Although, there are several moments when this filmmaker and subject relationship is close to breach, he retains his role of confidentiality and recognizes that the subject may not be too sober to make such ethical decisions of what they would like in the final cut or not. However, this scene does give greatest insight in to why Vanda is an alcoholic, and given the nature of the documentary, this is a critical point that must be conveyed to the viewer to give most depth to the understanding of alcoholism. Create a free website or blog at WordPress.com. As the director said himself My job is to explain, not entertain. I think the problems of ethics in filmmaking cannot be solved. For Watson asks: What would you class as an alcoholic? Toni replies: Someone who cant go a day without a drink. Once this is said, Watson slowly zooms in on her face and responds: but you told me there are days where you cant go a day without a drink. Watsons response to Tonis statement could be stated as being overly dramatic for the audiences benefit, therefore, compiling with Ellis and most documentary critics argument that the director is always more concerned with how the potential audience will perceive the subject and story than the subject themselves. Overall were the subjects happy to be on film? However, i was impressed by this documentary. She then replies with a smirk, Obviously. Watson most definitely fulfilled what he set out to do and in order to do that, I feel he had to push the boundary as far as he did to achieve this hard-hitting documentary. By going that extra further he creates a relationship with the subjects. To apply this aestheticized approach to documentary, look at the trailer for The Imposter https://www.youtube.com/watch?v=2LuFOX0Sy_o At no point during the documentary did I feel that the filmmaker was exploiting the subjects, the recording of what can be described as personal and intimate situations felt more like a significant necessity with moral intentions towards bringing awareness towards the seriousness of the consumption of alcohol. Numerous parts of the documentary further emphasise this intimacy as we the viewers are taken into the houses of these subjects, as if given permission to enter into anothers personal space which itself is also intimate in the context of the style of filmmaking here (observational). Things which have been considered problematic in Watsons Rain In My Heart include: informed consent from his subjects, the argument of whether or not the filmmaker should intervene in the filming process, the appropriateness of certain parts of the film, most notably Nigels funeral and his grieving family, and finally, the relationship between Watson and his subjects. On the other hand, I feel that some of the content included in the film did not have to be included. Indeed, there are many moments when one questions the ethics of his filming, however I believe that it is simply a matter of distinguishing whether or not the capturing of such harsh realities is in itself, exploitative. In addition, how is one to really define what constitutes as being exploitative? At the same time, I do think Paul Watson exploited his subjects. The seriousness of the topic in the documentary is emphasised through the filmmakers intimacy and relationship with the subjects. As with the film, this documentary presents some uncomfortable and hard to bear realities. (steering away from the public filming location of the hospital) and can we film them in such a vulnerable and dazed state? As a viewer, it was uncomfortable to watch Watson try and stay professional. It affected me emotionally and made me understand what an alcoholics reasons might be for drinking, and sometimes it might not just be that they want a drink. Although this might be justified, as their life story is very tragic, I feel Paul Watson pushed them to their limits. Rain In My Heart is a very powerful documentary which gives us all-round access to the issue of alcoholism with a key focus on four of its sufferers. At one point it says: This type of documentary is not the best way to explain or explore alcoholisms origins. But I dont appreciate so much. Moreover, one can say that the subjects were exploited not only in the aforementioned scenes, but generally throughout the film. But that is not a bad thing. This for me over steps the boundaries of ethical filming. With that being said, I do feel that Paul W has exploited them to some extent. In conclusion, I felt Paul Watson was extremely careful with the permissions of his subjects and the hospital and was very clear with what he was going to do throughout; he also (on camera to share with the audience) expressed major concern and made it clear he continued to check with his subjects throughout whether they wanted certain things to be exposed within the final cut. However I feel this issue raised WAS ethical as after Vanda gave him that information, he explicitly asked her to again give him consent the morning after that occurred so that she could give consent when she wasnt drunk. At this weeks lecture, the first slide read Documentary is most creditable when it comes as close as possible to the experience of someone actually there. This is seen in the film when Watson is speaking to one of the patients, Vanda, one of the few who agreed to, as Watson describes it; let him intrude into filming their hell. Watson explains to Vanda, whilst she is still a patient in hospital, that when he comes to interview her again at her house he will not be able to help her, he will take a spectator approach. For example, Vanda(I think its her name) points at her head and say it is there. In the moment where Vanda passes out from over drinking, and we see Watson check her pulse, to me I felt as if he was concerned, he didnt sit back and observe her in a blackened out state, he checked on her, he was her responsibility at that moment. Outside, the sparrows on the roof Are chirping in the dripping rain. However, Watsons humanity and compassion shines through. A prime example of exploitation was the most vulnerable and interesting subject-Vanda. I read an interesting article about this film posted on The Guardian, and a quote that stood out to me was Of the many powerful issues raised by the film, the one which occupied me most was this: are some things just too real to be captured on film?. https://www.youtube.com/watch?v=jjy8Z1hK2wY fromSchindlers List, Set to music, shot in thegorgeous shadows of black and white, and perfect balanced frames. Just finished it and I wonder what happened to Mark and Vanda. I would have to answer that most likely, rhetorical question, by saying yes! Although we see Paul telling Vanda that he will ask her later whether he should use this footage in the film, we do not know if he actually did it. This stuck with me throughout Rain In My Heart, a film which I found pretty difficult to watch. These cut ins of his soul searching questions illustrate exactly his own empathy towards the subject at hand. In Rain in my Heart she is living in a council flat. My DF was a chronic alcoholic (who died after eventually committing suicide) and I grew up with my parents while social circle being people in AA and Al-anon so maybe it was less of a shock to me as I've seen most of this first hand. Ins of his soul searching questions illustrate exactly his own empathy towards the subject at all this... The roof are chirping in the rain in my heart update mark scenes, but generally throughout the film, this documentary, but throughout. 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